I think you can probably make respectable tones of all kinds with it.
#BIAS AMP 2 REVIEW PATCH#
To be honest, I've rarely ever downloaded a patch that sounded even in the same area code as I would have expected.
The Tone Cloud feature is a good idea, but it's still so hard to separate the good from the mediocre. What appeared to be a JCM800 was notably underpowered, especially compared to the competition in Amplitube, Spark, or Helix. At even the highest levels of peak reduction, the gauge registers 1-3db reduction swap it out for the Waves or IK version, and you'll see it chopping 10db or more off. A good example here is the LA Studio Compressor, which is an LA-2A clone. 
Some of the effects don't behave in any way like they should. And it speaks to the larger dumbness of their ecosystem-why do you need three separate plugins (FX, Amp, and Pedal) to do this? Why not have one plugin suite, and then just sell separate activations for the different pieces? Just dumb. If you want to tweak under the hood of an amp you're using in FX, you have to close it, open Amp, make your changes, and then reopen the amp in FX. Unlike the iOS apps, the Bias Amp and FX VSTs still do not integrate in any kind of a seamless way. There are a few things that still really annoy me about Bias FX 2, though: In Bias FX 1, I'd dial up a patch that sounded ok to my ears, only to have it immediately embarrassed by comparisons to S-Gear, ReValver, or Helix. In particular, the amp tones are much more competitive. If playback doesnt begin shortly, try restarting your device. Most guitar players uses some type of boost (clean/ distorted) or some overdrive to improve their sound, along with Eq and compression. Like most guitar amps, the drive and distortion pedals help tighten up the sound. 
My general evaluation is that Bias FX 2 is notably better than the original Bias FX. Bias amp 2 Playthough and review In The DAW. The Bias fx 2 give all the tools you need to shape a sound even further.
0 kommentar(er)
